the consolation of fairy-stories
Jun. 5th, 2007 07:17 pm![[personal profile]](https://www.dreamwidth.org/img/silk/identity/user.png)
The reason for this post is mostly to say that Pan's Labyrinth is one of the most exquisite films I have ever seen; so brilliant and terrifying and beautiful that I am honestly not sure I can even write about it because I keep skimming about for words and can't find very many. Dad and I watched it last night (actually he was going to watch it all by himself, but I asked very nicely and he let me watch it with him), and we were both so overcome by it at the end that we didn't say anything until the credits were half over. I shook for ten minutes after it was over -- not from fear, though the film was frightening, but from sheer wonder, and a strange sort of joyous grief, or anguished joy -- as well as an immense glorious veneration for the art of it -- for the filmmaker in me, it was sort of like reading F. Scott Fitzgerald for the first time, or the way I felt after finishing Madeleine L'Engle's Two-Part Invention.
At the end I could think of nothing more than Tolkien's concept of the eucatastrophe, the 'sudden joyous turn' he speaks of in his essay On Fairy Stories -- all of the horror (and there was a lot of horror in the film -- very real horror, and if you have a weak stomach you may not want to see this film) turned towards something beautiful.
- But the “consolation” of fairy-tales has another aspect than the imaginative satisfaction of ancient desires. Far more important is the Consolation of the Happy Ending. Almost I would venture to assert that all complete fairy-stories must have it. At least I would say that Tragedy is the true form of Drama, its highest function; but the opposite is true of Fairy-story. Since we do not appear to possess a word that expresses this opposite — I will call it Eucatastrophe. The eucatastrophic tale is the true form of fairy-tale, and its highest function.
- The consolation of fairy-stories, the joy of the happy ending: or more correctly of the good catastrophe, the sudden joyous “turn” (for there is no true end to any fairy-tale): this joy, which is one of the things which fairy-stories can produce supremely well, is not essentially “escapist,” nor “fugitive.” In its fairy-tale—or otherworld—setting, it is a sudden and miraculous grace: never to be counted on to recur. It does not deny the existence of dyscatastrophe, of sorrow and failure: the possibility of these is necessary to the joy of deliverance; it denies (in the face of much evidence, if you will) universal final defeat and in so far is evangelium, giving a fleeting glimpse of Joy, Joy beyond the walls of the world, poignant as grief.
It is the mark of a good fairy-story, of the higher or more complete kind, that however wild its events, however fantastic or terrible the adventures, it can give to child or man that hears it, when the “turn” comes, a catch of the breath, a beat and lifting of the heart, near to (or indeed accompanied by) tears, as keen as that given by any form of literary art, and having a peculiar quality.
In conclusion: go see this film. The cinematography is also brilliant, and the score. Oh blimey. The main theme, as it were, is the most memorable and haunting in recent memory, I think. I've added the soundtrack to my Amazon wishlist and dearly hope someone will get it for my birthday, which is in twelve days (!!!).
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Date: 2007-06-06 01:58 am (UTC)no subject
Date: 2007-06-06 10:48 pm (UTC)And, yes, he does -- I was reading some of what he has to say on the website, and already I want to meet him for coffee. :D
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Date: 2007-06-06 03:17 am (UTC)Also, I have the soundtrack and can upload it for you if you like!
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Date: 2007-06-06 10:51 pm (UTC)(P.S.: you wouldn't happen to know where I could find some particularly good icons? I looked through the LJ communties I found and didn't find a lot of nice simplistic ones not crowded up with obnoxious text. There was one post I saw the day before I watched the film that had a lovely one of Ofelia entering the fig tree, and now I CAN'T FIND IT AGAIN, AGH.)
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Date: 2007-06-06 04:29 am (UTC)no subject
Date: 2007-06-06 10:53 pm (UTC)no subject
Date: 2007-06-06 07:39 am (UTC)Bravo...
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Date: 2007-06-06 11:00 pm (UTC)no subject
Date: 2007-06-06 08:32 am (UTC)But I love that Tolkein quote to pieces, that's really fabulous!
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Date: 2007-06-06 10:58 pm (UTC)Tolkien is fantastic. ;D I haven't read his book of essays in a long time; I'll have to get it out again. He's such a darling geek.
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Date: 2007-06-06 06:15 pm (UTC)no subject
Date: 2007-06-06 11:00 pm (UTC)no subject
Date: 2007-06-06 11:51 pm (UTC)no subject
Date: 2007-06-07 06:27 pm (UTC)no subject
Date: 2007-06-07 10:47 pm (UTC)It's funny; you're not the only one (http://elenathehun.livejournal.com/67629.html#cutid1) to have discovered and fallen in love with this film recently...
Two other things: firstly, you use both score and blimey. You are wonderful. :D
Secondly, the first sentence of the second paragraph of that Tolkien extract is just dying to be used as an epigraph. Or maybe just the whole paragraph. Hmm... :D
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Date: 2007-06-08 01:02 am (UTC)the first sentence of the second paragraph of that Tolkien extract is just dying to be used as an epigraph.
SHUT UP YOU WILL NOT MAKE ME WRITE NOVELS AGAIN. IT'S BAD ENOUGH THAT THAT THING THAT NEIL GAIMAN ISN'T GOING TO WRITE BECAUSE I THOUGHT OF IT AND HE DIDN'T IS HAVING FAR TOO MUCH FUN IN MY HEAD ALREADY. :DDDD