ontology: (Default)
I think that every year around my birthday, I say something to the effect of, every year around my birthday, I fall headlong into a roiling pit of existential angst. Which is true, and seems to get truer with every passing year. You know how I say I miss being excited? I really miss being excited right now. My eighteenth birthday's in six days and I haven't got plans, I haven't got the nice bats-in-the-stomach shutting-the-door-so-I-can-wring-my-hands-in-excitement feeling that I always used to have. Though really it's the lack of plans that bothers me most, because as I have said many, many times, I am deeply ritualistic by nature. I like things to be Just So, and I like to arrange them, and surround significant days with significant rituals large and small. Last year Dad and I went to the city, and the art museum, and it was glorious, and I can't think of anything other than that, or anything more significant than that, and you know maybe I just want to get lost in some city somewhere and ride the subway without any destination in mind and take photographs of graffiti and people waiting for buses and lamp-posts and buildings with vines growing all over them and trees growing out of the pavement. I want to do something quiet that I won't have to recover from afterwards, something that has the flavour of watching the night sky at Grey Fox last year, or on the picnic table of the cabin in October, or walking through the art museum last birthday, or the walk I took by accident when there was almost rain and the sun was setting, or running through Pittsburgh at night with Dad trying to find a suitable place to eat before going to a concert sort of in a library, or watching Abigail Washburn & the Sparrow Quartet perform songs so strange and beautiful that my soul rose straight out of my body and fluttered birdlike over the amphitheatre.

(Maybe I should just say, Mum, Dad, can we just go driving around in the city for my birthday? And then we could come home and rent Once or something, and I could lie out on the roof and listen to something beautiful while the sun sets. Except, gas prices, reality, argh.)

And you can't create those incandescent moments; they come unbidden. I try to arrange them and they don't come; they're not like pigeons, you can't leave them crumbs and hope they'll come in flocks to collect them.

Furthermore it bothers me that I'm about to be eighteen, that I'm on the threshold of legal adulthood, and I haven't got much of anything to show for it. I don't like meeting people I haven't seen in a long, long time, because there is always the question, so, what have you been doing? And I have to fumble for things. What have I done in the past several years, besides little things? Sometimes the little things were lovely ones, but they were still little things, and I think, I'm the least grown-up person I know, and possibly the dullest. Other people go out and have adventures, or find adventures; I tell stories and make adventures out of the things that weren't. I haven't got a job and I haven't got any hobbies that get me out of the house, and even the hobbies I do have -- writing, photography, music -- I haven't exactly done much with. I think about going busking sometime, and then I think I'm too shy, and this city is too small anyway. I write a few words or a few sentences in the same story every two days or so. Sometimes I remember to take pictures of things. I don't work hard at it. I'm awkward in my own skin. I don't know whether I'm meant to grow into it, or take it in to fit.

And none of the people I am or pretend to be are the person I want to be, and they don't match up very well. I feel like a patchwork quilt sewn over another patchwork quilt with thick, black, awkward stitches.

Of course because I am too ritualistic I think that eighteen should be some sort of gateway, that I'll start solving my own puzzles and stop standing so crookedly and make something out of myself but things never turn out the way the patterns work. (Sometimes I wonder if there's an alternate universe in which I actually love mathematics, because all of the patterns and progressions and lists and arrangements don't mesh with me, haphazard and clumsy and messy and thoroughly literary, seeing and tasting in colours and emotion and intuition and photographs.)

Maybe I'll get a job, and finish a story, and find a college, and a major, and a purpose, and learn how to be excited again, how to love people, how to be optimistic. I don't know. I don't know.
ontology: (Default)
So, I'm listening to Sarah Slean's The Baroness, which is really a delightfully atmospheric album -- in some ways it's very different from her previous two "mainstream" albums; it's got much more of a '20s-'40s cabaret aesthetic, without so much of the spooky, brazen witchiness that characterised Day One in particular, although you get a hint of that in "Sound of Water", currently my favourite song on the album, with its baroque string arrangement and the way it builds, the rich way Sarah's voice ribbons around the lyrics, the slightly dischordant piano melody; and there's also a darker, more solemn echo of that in the penultimate"Shadowland", which I think made me teary when I had my initial listen late at night with the candles and the open window. Some other particular highlights are the opener "Hopeful Hearts", which has fantastic dynamics, jolting seamlessly from delicate to battle cry (it's also totally my Angel Investigations song now. ...Shut up.)* and the quietly yearning "Please Be Good to Me" -- but I think this is the sort of album that slowly grows on you, quietly, until you realise how lovely in full it really is. (In fact I am liking it even more as a whole than I did the first time I listened. Which is good. Albums that are static are never good.) Sarah Slean still sounds like the soundtrack to a fantasy novel, but it's a subtler fantasy, maybe a 1930s ghost story, set in the heart of some vivid, magnificent Canadian city.

My only quibble is that I really wish the album had ended with "Shadowland", which is really a climactic, apocalyptic-hope sort of song if I've ever heard one -- "Looking for Someone" is good, and I don't necessary want it not to be on the album at all, just -- somewhere else. "Shadowland" brings the perfect closure, and it's so haunting that you almost don't want that mood to shift into something else. Love, the only alchemy / Love, the killer of despair / Love, the true nobility / Love, the armour angels wear.

Also? Bonus track! I've just got hold of it, and I'm very pleased, because it does have the spooky brazen quality of songs like "When Another Midnight", "The Score", or "Vertigo", and I hope someday Miss Slean will make an entire album that sounds like this, with the slight mad-circus bent. Mmmm.
parasol - sarah slean.
i'm courting a madness
i cannot explain

* If this were a professional review I would probably not include that bit. Probably.


* * *

In other news, I've sort of had an epiphany, and I need to write it down because if I don't I will probably push it off in some corner somewhere, so if other people know about it, perhaps I will feel obligated to carry through.

Fact one: I love the art of filmmaking.
Fact two: I want to be a filmmaker.
Fact three: So far, there is nothing about me that would recommend me above another potential film student. I've barely ever even held a camcorder. I might have scads of untapped talent, but I don't even know that, much less people reading film school applications.
Fact four: I have several years to correct this, fortunately. However, it's best to get started as soon as possible.
Fact five: My family is in the process of deciding on and then purchasing a video camera, largely for the purpose of filming Dad's sermons. I have already been given permission to use said camera (and will probably be doing the sermon-filming anyway).
Fact six: This next year I set aside to do Impressive Things before college. So far I haven't come up with very many Impressive Things.
Fact seven: My friends are all actors, musicians, and dancers. (Also writers, but that's not quite so useful in this particular situation.) What about this is not conducive to practising filmmaking?

Therefore: this summer, I intend, somewhat tentatively, to Do Something With Filmmaking. Probably weird, short, experimental things, but hey. Once just taught me that you can do beautiful things with a handheld camera and virtually no budget. (Have I mentioned? The home video segment? STILL MY FAVOURITE.) I am trying to cling to the feeling still left over from that film that I can actually accomplish things. Music and films are not necessarily impossible feats. (Ha ha, I say this so bravely and with so much conviction. It only looks that way because words on the screen cannot shuffle their feet and look in a lot of different directions and change the subject really really fast.)

So. Maybe if I accomplished something in this vein, I'd feel less aimless.

Also? I'm writing a short story. I'm terrified. I've never actually finished a non-derivative short story (not a proper short story, anyway), but I know most of what happens in this one, and it's due for the Quill and Ink Society by...some point at the end of the week. Anyway, I want terribly for this to turn out right.

September 2009

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