I was actually joking when I commented on
![[profile]](https://www.dreamwidth.org/img/silk/identity/user.png)
Speaking of selchies, the family and I watched The Secret of Roan Inish last night--before midnight; after midnight we were engaged in some very, very trippy early cartoons (some of them kind of reminded me of Terry Gilliam's animated bits in Monty Python's Flying Circus, except his stuff was better, and it wasn't supposed to, somehow, make sense, which meant that you weren't terribly, terribly afraid that everyone involved wasn't also heavily involved in, say, opium)--um, anyway, it's a very good film, and I really loved it, but the main point of talking about it is because it reignited my interest in the selchie legend, which I've always been fond of on account of being very intimately in love with Solas' eerie version of 'The Grey Selchie' since the age of twelve. Also, Jane Yolen's retelling in The Book of Ballads is rather good. What I'm saying is...actually, I don't know what the real point of this is. Selchies are nifty, and I want to write about them. Which sounds really shallow when you put it like that--the really interesting thing about the selchie tales, I suppose, is all of the motivations and reactions which are typically left out. Would a selchie-wife really love the husband who held her in thrall, and if so, how and why? What about someone attempting to gain control over a selchie for nefarious reasons? What sort of fellow would marry a seal-woman he knew nothing about, and what would village gossip say? What about the children of a selchie? I mean, really, what about them? It's all very fascinating, I think. (And, maybe this is completely out there, but are there any traditional ballads with vampires in? Not that I would want to incorporate one into a current project, mind. I would never do that.)
Well, yikes. Why am I suddenly realising that no-one is going to read this straight-through?